I’ve seen so many people dancing at home, throwing zoom parties and dancing to the notes of Future Nostalgia as if we were together in a club. Dua Lipacommented on Club Future Nostalgia as follows: “The last few months have been surreal.
DUA LIPA CLUB FUTURE NOSTALGIA FREE
Club Future Nostalgia is a leap into the past with an incredibly contemporary style, it is the album that comes to mind to listen to in the car to sing out loud, in the room to free your head and at a party to let loose. Levitating, already at the top of the world charts, is one of the first singles on the album and boasts the featuring of Missy Elliott and Madonna. The Blessed Madonna has combined the remixes of all these artists, mixing the pop classics of Gwen Stefani, Madonnabut also Janet Jackson and Jamiroquai with parts of iconic songs from house, soul and disco music. It may not have been the album celebration Lipa was planning, but ‘Club Future Nostalgia’ feels like a party all the same.CLUB FUTURE NOSTALGIA IS OUT TOMORROW – I REPEAT – OUT TOMORROW!!!!!! 🌕✨💛 // outtakes by post shared by DUA LIPA on at 8:17am PDT
It was a savvy decision to recruit The Blessed Madonna: the result is a collection exciting, genre-splicing remixes that you could genuinely imagine hearing in the club. Largely, though, it’s an exciting and eclectic adaptation. While the recent The Blessed Madonna remix of ‘Levitating’, which features Madonna and Missy Elliott, is a fist-pumping call to the dance-floor, Mark Ronson’s squelching version of ‘Physical’, which includes guest vocals from Gwen Stefani, is lacklustre. High profile team-ups add some star power into the mix, but sometimes feel shoe-horned in for this purpose. ‘That Kind Of Woman’, which oozes early noughties disco à la Kylie, gets the remix treatment by Jacques Lu Cont (the moniker of English artist and DJ Stuart Price) and The Blessed Madonna’s version of ‘Love Is Religion’ is a pop-house belter with a singalong chorus. There are also outings for several unreleased songs. There are moments of icy coolness alongside this, too, as when Yaeji reimagines ‘Don’t Start Now’, fusing the bombastic pop with stonking trap and house, turning it into the sound of pranging out at a rave in the early hours of the morning. Horse Meat Disco’s take on ‘Love Again’ is equally exhilarating, filled with strutting beats and funk-laced instrumentals.
There are moments of total euphoria – the jubilant opener from Joe Goddard, who adds his own twist onto title track with Hot Chip-style synths and Daft Punk-inspired whirrs, is the sound of a secret Glastonbury DJ set at 3am. ‘Club Future Nostalgia’ is a pick-and-mix bag that flits between modern pop, ’80s soul and floor-filling house. And they all rub shoulders with cult legends such as Detroit House hero Moodymann and Hot Chip‘s Joe Goddard. On the one hand you have a glittering roll call of mega-stars that includes Madonna, Gwen Stefani, Missy Elliott and Mark Ronson and on the other there’s exciting new talent in form of Yaeji and Jayda G. The remixers and collaborators are genre-spanning and varied. In among reworking of songs from ‘Future Nostalgia’ are snippets and samples from pop classics (including Neneh Cherry’s ‘Buffalo Stance’ and Gwen Stefani’s ‘Hollaback Girl) and house and soul records. ‘Club Future Nostalgia’ is less of a remix album, and more of a lovingly crafted mixtape. She enlisted the help of American house and techno DJ The Blessed Madonna, and together they set about reimagining each song from the record (and a few extra) for the club. With this summer’s music calendar halted, how do you fill your time after releasing your critically acclaimed (five whole stars from NME) second album? Inspired by a fan’s Zoom dance parties soundtracked by the record, Lipa opted, she’s said, to “take the party up a notch” and secretly work on this remix project. Arena dates across Europe were locked in, with the final victory lap being a handful of festival shows, including a trip down to Worthy Farm for Glastonbury. This summer Dua Lipa should have been celebrating the success of her hit-packed, UK Number One album ‘Future Nostalgia’ on the road.
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